The most successful bands establish a memorable sound, the one that encourages listeners to return to performances and purchase the group’s music. In the process, artists might find that the music they create does not fit a label. Jeff Kerestes, a professional bassist of the Brooklyn-based band Apollo Run, briefly explains this experience.
“When we changed the band’s name to Apollo Run we did not know how to categorize the music. It was all new to us, the three part harmonies, the bass, the drums… We were wondering “what’s here?” Let’s explore it.”
It was at this moment the band decided to name this phase of their musical development “Here Be Dragons.”
“In the old maps,” explains Jeff, referring to maps of the globe dating as far back as the 1500’s, “signs that read “here be dragons” were drawn to represent uncharted territories. The music was uncharted territory for us.”
In Music Historian’s full-length band interview for May, Jeff talks about how Apollo Run’s “Here Be Dragons” exploration started; where the course has taken them; the possible conclusions of their journey; and what awaits the band in the near future. It is my pleasure to welcome Jeff to Hear; Don’t Listen.
The Beginning: John McGrew and the Sit Backs
One night in 2007, the Arizona-native with a jazz degree from Arizona State University, was celebrating his one year anniversary of living in New York City. Through the husband of a friend, Jeff learned of a band that was looking for a bass player – John McGrew and the Sit Backs. Jeff joined this group in December of that year. Here, he met singer John McGrew and drummer Graham Fisk.
“John and Graham hit it off right away,” recalls Jeff. “The band also had another bass player, a guitarist and keyboard player.
“In this group, all the songs were fully-written by John and the members of the band would play these songs and perform under the moniker John McGrew and the Sit Backs. At that time, John was working a day job just to pay the band. In New York, there is almost nobody that will play another person’s song for free.
“Eventually though, paying the band became expensive, and John decided to leave his day job and do music full-time. Since John McGrew and the Sit Backs was the best experience I had at the time, I decided to stay, and so did Graham.
“Afterwards, John decided he wanted to change the name of the band because all three of us would be writing songs, not just him. We were ready to create a new sound.”
At this point, it was 2009, and John, Jeff and Graham decided they wanted to bring a new approach to music making – one in which all three members could use their ability and talent to the fullest and tie it together into a series of songs.
The Middle: Developing Ideas and Completing Songs Together 
“One of the most exciting parts about Apollo Run is that we all write, and we will bring different ideas to each other.
“For example, John and Graham were both in a Cappella groups in their college years. Sometimes, John will have a great a Cappella line, and we’ll develop a song from there or, he will come to us with a song that is almost finished, and we’ll complete it together.
“Graham also writes songs on piano, and sometimes he will come in with a song that he has not finished, and we will hone out the rest of the parts – the vocal harmonies, the bass line, drums and the key board.”
Jeff enumerates on this example through a few stories about some of the songs on “Here Be Dragons” vol. III.
“One of the songs on our last record, “Sirens,” we wrote while we were on tour. I was playing chords on a ukulele during the car ride. In this time, we created the hooks of the song. Then, when we halted for rest stops, we would refine the lyrics and the vocal lines.
“For “Desire,” Graham came in with a partially developed idea for the song. We composed fifty to sixty percent of it in the studio. By the time we finished the other songs for the third volume; we had to complete “Desire.”
“This was one instance in which we were putting too much thought into how a song is “supposed to sound.” When this happens, it becomes very difficult to complete the song. Once we played the song several times through though, it came out right. We played [“Desire”] until it felt right.”
Naming the Band: “Many names can put you in a box and we did not want that”
Prior to recording any of the “Here Be Dragons” records, the band applied the same intuitive effort behind finding the band’s new name.
“Naming the band was difficult,” recalled Jeff. “We really wanted our music to dictate the name and not the other way around. For example, when you hear the name Led Zeppelin or Pearl Jam, you think about the music of the band, not their name. The words don’t mean much on their own until you define them with music.”
“We did not feel we could categorize our sound,” adds Jeff. “Many names can put you in a box, and we wanted to avoid that.”
Listeners will have a difficult time putting Apollo Run’s music neatly in a category. One might feel that the opening piano melodies to “Autumn Song” that paid homage to art songs from the Romantic period; or that the doo-wop-feel of “That’s How it Felt” belongs more to pop; or that the “Devil in Disguise” makes a slight nod to the swing-jazz genre.
The eclectic sounds of each “Here Be Dragons” album might also make listeners wonder what made the band chose the name Apollo Run. For this simple reason: it felt right.
According to Jeff, all the members liked the mythology behind the Greco-Roman God Apollo, who ruled music, poetry, and light. In addition, John who is also an astronomy enthusiast repeated the phrase “Apollo Run” to himself several times. The more he heard it, the more confident and comfortable he felt with the name.
The Music: “You never know where your inspiration is going to come from…”
As my conversation with Jeff continued, I became curious about what influenced the lyrics behind their songs. I learned that for these three musicians, “influence comes from everywhere.”
“You never know where your inspiration is going to come from; it can be from literature to what’s going on politically. A couple of our songs are inspired the book series The Game of Thrones. Sometimes John will come to us and say, “I wrote a new song, it is inspired by The Game of Thrones,” says Jeff jokingly.
Then, some of the inspirations for Apollo Run’s songs come simply from gazing up at a clear night sky.
“Our song “Stars” is basically John’s take on what he hears from looking at the stars. As they twinkle back and forth, John hears they are singing “oh-way-oh,”” explains Jeff.
Apollo Run plays on romantic imagery while celebrating the union of many musical ideas. In addition, fans’ responses to the band’s music have been supportive and unusually phenomenal.
This brings me to what might be the beginning of the end to a great expedition, a possible musical theater production of “Here Be Dragons.”
The End: A Theatrical Reception?
During the summers, John, who has a background in musical theater, works at a drama camp in Oakland, Maine called Acting Manitou. Every year, John helps students put on a play. According to Jeff, “the kids really liked Apollo Run’s music” and they wanted to make a play using the band’s songs.
“Last year, the kids asked whether they could put on a play using Apollo Run’s music, and they did,” enumerates Jeff. “Graham and I went to perform the music for the production. The result was amazing.
“The play takes place in a dystopia. In the story, a ruler is overthrown and then another ruler takes over. The replacement, however, turns out to be much worse than the initial leader. During this story, there is a love story taking place between two characters. The play references the many faults and issues within our society.”
“After the experience, we decided to bring the play down to New York City and invited Broadway actors for a reading.”
At the moment, the musical has only developed to a reading of the play by professional actors. John says “I do not know where it will go from there.”
Beyond the Saga: A Fourth Album with a New Focus
If the “Here Be Dragons” saga does not end with a big bang, then fans can look forward to a fourth album in the near future. Jeff says the band is in the process of creating a new record that will focus on this idea: now that the territory has been explored, it is no longer uncharted.
“We are currently in the writing stage,” he explains. “The songs are very exciting right now.
“The album’s title will depend on the shapes the songs will take.”
In the meantime, the band continues to receive a positive reception from fans all over the country. Jeff recalls Apollo Run’s first national tour from November, which was to promote their third volume and first full-length album “Here Be Dragons” vol. III, as a career milestone for the group.
“That was pretty big for us,” enumerates Jeff. “We started on the west coast in San Francisco, then drove all over the country for a month. We traveled to my hometown in Arizona, then to San Diego, and several other places before concluding the tour in Maine.
“Our fans traveled great distances to come see us perform, and it was rewarding to see them enjoy our music.
“We love what we’re doing and taking that everywhere with us is great.”
Jeff also invites fans to watch Apollo Run’s music videos for the following songs on “Here Be Dragons” vol. III that just premiered today on their website – “Devil in Disguise,” “Bending the Light,” and “Act IV.”
Apollo Run reminds listeners that while establishing a solid sound is a necessary component for a successful band, creating music is not about fitting neatly into a category. Reflecting on my interview with Jeff, I realize that a band’s potential relies on their ability to explore new musical territory despite the uncertainties or possible dangers. Apollo Run’s exploration helped them arrive to the destination they sought – a definition of their sound. In addition, their expedition contributed greatly to their artistic development. The result is the complete “Here Be Dragons” trilogy.
What awaits Apollo Run fans after the HBD saga remains a mystery, but it is one that listeners will look forward to discovering. One thing is certain. The band will apply the same virtuosity, dedication and meticulousness to each song and its various components. As Jeff says, “Many bands are known for doing one thing really well in their music. We work to making everything sound well.”
Todd Carter (a.k.a. The Looking), the New York City-based singer songwriter, is in the process of releasing their third album, Songs for a Traveler. In this record, Todd turns American folk classics and old country songs from the years 1850 to 1950, like “Wayfaring stranger,” “900 Miles,” “River in the Pines,” and “Blue River” into rock ‘n’ roll.
When I first listened to Songs for a Traveler, I had no prior knowledge that these songs were covers of folk and old country tunes. I simply judged them as originals. In doing so, I developed the following thoughts on The Looking’s record: the lyrics express an old country feel and tonally, the songs convey rock ‘n’ roll. Then, I picked up subtle influences of classical music, like the minor to major key modulations, and the simple duple meter in the song “Blue River.”
Hear; Let's Listen 