Transcendence, Transitions and Returns: Alyson Greenfield Premieres Surrealist Music Video for “Uncharted Places”

Alyson Music Video I had followed Alyson Greenfield for a few years now, and I’ve always known her as an experimental musician, combining instruments like the synthesizers, glockenspiel, piano, jazzy vocals and the occasional rap. As I get to know Alyson more, further Music Historian – which now welcomes many different artists from all corners of the country – and study the music consumer in greater depth, I realize that Alyson’s music might be a favorite among lovers of surrealist music.

Last Thursday, at the Cameo Gallery in Brooklyn, Alyson gave her fans and closest followers a celebration that marked the completion of one long journey for this artist – the premiere of her music video for “Uncharted Places.” Known for creating dreamy sounds within her chords, the theme of ‘dream’ is strongly reflected in this music video. In this short film, she falls into bed and wakes up in another dimension with wings strapped to her arms. Joining her in the video is the beatboxer who also recorded this song with Alyson, Shane Maux.

Alyson takes to the sky, time traveling across her own journey. She stumbles upon an event in which she is sailing on a pirate ship with Shane. Below the deck, the two dance to Shane’s beats while Alyson gracefully supports a vintage lantern within her hand, like the one that is found in the hands of Rider-Waite’s tarot card, The Hermit. The journey ends with an accident, and our video heroine sinks to the bottom of the ocean, but all is not lost, and there is certainly no room for sadness. Viewers are reminded that this journey is a dream, especially when our lovely lady is carried to shore and crawls up the beach to what is a beautiful billowy bed. Our beatbox hero survives as well, just in a different dimension. The two might have not begun their journey together, nor ended it as she prepared to exit her dream and wake up to the real world, but the viewer will be left feeling the hero will join the dreamer on their next adventure, whenever it comes along.

Alyson describes “Uncharted Places” as a song about the continuity of life– that no life, dream, idea or human being, ever really cease to exist. In the chorus, she sings You open my mind to uncharted places/ and I know, in the end/ the only thing that matters is your friends/ and I know in the end, the body won’t matter at all/ and I know, in the end/ we’ll just return back to where we began (this line repeats three times). Just like the song, the music video incorporates a few themes, including returning and transcendence. I find the theme about coming back to certain moments, or having certain moments return to you, also appears in her music and composition.

Aside from premiering a music video, Alyson also performed some new original music with Shane, and fellow musicians Nate Morgan and Interroben. The multi-instrumentalist will always have a synthesizer and digitized music play alongside her in all of her tracks, but rarely will Alyson play every instrument she knows in one song. Throughout her 1-hour set, she rapped with Shane in a song called “Build it Up,” a song inspired by the residential development she sees in her own neighborhood. Alyson then went to the glockenspiel for the song, “Dance Myself.”

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The one song that stood out to me was the song “Lust,” which had that same dreamy synth feel, but with more of a staccato dance rhythm and melody with more accidentals that made for an intriguing addition to Alyson’s typical repertoire. “Uncharted Places” might remind us that the physical realm is more ephemeral and less ethereal than we typically believe, but “Lust” dares listeners to take comfort within the excitedly spooky idea that Alyson directly communicated to her audience that night – “underneath our skin and bodies, we are all just skeletons.”

Like her music video directed by David Franklin, Alyson has a penchant for taking listeners, and lovers of surrealist music, to new territory, whether they help us rise above the clouds, bring us below the earth or on the earth’s surface to the rising residential blocks of East Bushwick in New York City. Alyson shows us there is so much to explore in her music – some of these explorations might be short, and some will span over a longer time. Wherever and whenever one journey ends, another one begins, and the music video for “Uncharted Places” reminds us of these transitions.

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Alyson Greenfield Releases “Uncharted Places” on May 30th

Alyson Greenfield is one of those artists who are everywhere, both behind the scenes and center stage. Now she returns to the scene with new music and debuting her single “Uncharted Places.” Greenfield will release the track at the Roc-Elle Records’ curated Brooklyn Night Bazaar on May 30th at 8pm, performing alongside Hearts revolution, Ninjasonik and Demetra. See event details here.

Greenfield recorded “Uncharted places” at the Converse Rubber Tracks Studio with engineer Alex McKenzie, and then mixed the track with Roger Greenawalt. Watch some of her experience right here:

“I’m so excited to finally release Uncharted Places,” says the multi-instrumentalist singer-songwriter. “I’m also very excited about the new direction my live performance is taking. With the help of collaborators Interroben and Nate Morgan, we are able to produce a more dancey vice, which I hope translates into a more communal and vibrant feel.”

Alyson Greenfield performing at the Brooklyn Night Bazaar in Brooklyn on May 30th

 

Throughout the indie music scene in NYC, Alyson has become known for partaking in multiple projects. In the Fall of 2013, she directed and performed in the Tinderbox Music Festival. Earlier this year, she worked with film director Michael Carr to score a feature film The American Templars, and also had placements in the film SuperSleuths which premiered at the 2014 SXSW Film Festival. During this time, Alyson also formed a new synth-pop side project, Polyvox, with collaborator Joe McGinty, who also collaborated with Psychadelic Furs, and The Ramones. Additional highlights include becoming a regular at the Loser’s Lounge series at Joe’s Pub, and a featured performer at the 4th Annual Brooklyn Rock Lottery alongside band members of Oneida, Bad Girlfriend, Superhuman Happiness, and Rainer Maria.

Alyson is also known for participating in various musical communities throughout New York City. She talks about some of her experiences in this clip.

Celebrate Eclectic Music at Rockwood with Syzygy, Danielle Eva Schwob & More!

The Fall of 2013 is transforming into a busy season for music in New York City. Indie lovers and musicians alike can expect a trend of eclectic musical performances; bands from across several genres playing in one set under one roof. This Sunday, September 29th, the Musical Variety Show presented by the musical collective Syzygy will kick-off this Fall’s indie music season at Rockwood Music Hall. ‘Danielle and Corn Mo’s Sunday Musical Night Variety Show,’

Entitled ‘Danielle and Corn Mo’s Sunday Musical Night Variety Show,’ the event will feature performances by its two hosts and guest artists like Sky White Tiger, Kinga Augustyn, Avi Fox Rosen, Alyson Greenfield, and more. Watson, which features members Antibalas, EMEFE and The Asphalt Orchestra, will conclude the night with a late set.

Corn Mo, who is currently a part of .357 LOVER and a former member of the Polyphonic Spree has become known as a “regular fixture in New York’s indie rock and experimental scene.” He has an unmatched knack for story-telling and performing, and has toured with acts such as They Might Be Giants, Wheatus and Ben Folds.

The London-born cross-genre musician, Danielle Eva Schwob – whose “hard edged pop songs (NY Times)” fuse glittering synthesizers and electric guitars with honest lyrics – is best described as a catchy avant-garde pop/rock performer. Both musicians will host the show, and Ms. Schwob will appear with her band and Corn Mo will perform solo.

Sky White Tiger’s front man and multi-instrumentalist, Louis Schwadron; classical virtuoso and stunning vocalist, Kinga Augustyn; Sardonic indie songwriter Avi Fox-Rosen; and the sonic-wizard, singer and multi-instrumentalist, Alyson Greenfield will all perform. The night will wind down with a late set by downtown improvisers Watson, an all-star group of musicians hailing from Afrobeat stalwarts EMEFE and Antibalas, and the radical five-piece street band The Asphalt Orchestra.

Danielle and Corn Mo’s Sunday Musical Night Variety Show marks the second installment of SYZYGY’s acclaimed series, the first of which took place at Le Poisson Rouge and welcomed Sxip Shirey, Todd Reynolds, ETHEL, Danielle Schwob and Bridget Kibbey.

The show will take place at Rockwood Music Hall, Stage 2 and will start at 9:00pm. Admission is FREE, and everyone over the age of 21 is welcome. Rockwood Music Hall is located at 196 Allen Street. The closest subway is the downtown F train which stops on 2nd Avenue and East Houston Street.

Todd Carter a.k.a The Looking “Songs for a Traveler” Album Release Party

The Looking Album Release Flyer

The Looking Album Release Flyer

You have read about Todd Carter a.k.a. The Looking’s exciting listening party for his newest rockin’ cover album, Songs for a Traveler. Now, everyone has the chance to hear these great songs for live at The Looking’s album launch party at Bowery Electric on Friday, April 26th!

“I have been interested in American folk songs since the time I started playing music in Indiana,” Todd says. “It was the thought of mixing my love for 80’s and 90’s alt-pop with these old songs that resulted in Songs for a Traveler.”

Todd will spin songs from the 1950’s, like “Sail Around” and “Long Black Veil” into lush, dreamy soundscapes that climax in full rock fashion, with the help of his backing band. The band features John Andrews, Gerald Menke, Chris Morrissey, Adam Kromelow, and Bill Finizio. NYC Ukulele Troubadour Roger Greenawalt and Violin Virtuoso Ernesto Villa-Lobos will also join Todd as guest performers.

Loudboy, led by John Andrews (Botanica, Angela McCluskey, Morely), and Brian Viglione of the Dresden Dolls will open the show at 7:00pm.

Official Press photo of Todd Carter

Official Press photo of Todd Carter

Experimental indie-songstress Alyson Greenfield, who has recently found fans in WNYC, Converse and AOL.com, will close the night.

Collected Sounds describes Todd’s vocalism and performance as “intriguing and fascinating.” The Chronicle claims his work is “eclectic and provocative.” IndieMusic.com says Todd’s voice is “like nobody else you have heard before…majestic.”

Make the weekend of April 26 one filled with the American classics you love made great for Rock ‘n’ Roll. Todd’s album launch party for Songs for a Traveler will start at 8:00 pm. The opening show begins at 7:00 pm. Purchase your tickets here and save your spot at the Bowery Electric.

The Beatles Complete on Ukulele with Roger Greenawalt: A Breath of Fresh Air

The Beatles Complete on Ukulele at the Brooklyn Bowl is a musical collaboration between young singer-songwriters on the New York City music scene and lifelong instrumentalists that met for the purpose of celebrating the canonical music of one of the most world renowned British bands.

Image Music producer and ukulele player Roger McEvoy Greenawalt led this event for the fourth time. This year, the back-up band he played with was The Angry Buddhist East Band. On stage, from 8:00pm to 12:00am this past Wednesday, Roger was also joined by a number of musicians of different professional backgrounds.

The Brooklyn-based experimental singer-songwriter, Alyson Greenfield was the first artist to jam with Roger on a cover of “Glass Onion” and “I Will.” The electric violinist who has toured the world with Cyndi Lauper, appeared on Saturday Night Live and the Late show with Conan O’Brien, Deni Bonet helped Roger and the back-up band transform the upbeat “Please Please Me” into a folky minor-key serenade. Avi Wisnia worked with Roger to turn “She Loves You” into a slow and sensual cover that echoed the pop singer-songwriter’s signature Bossa Nova sound.

Additional artists that joined Roger that night included: Mike Rimbaud, who covered “Can’t Do That”; Olivia Mancini who performed a rendition of “I’m Looking Through You”; the ukulele female duo, Supercute that performed “Getting Better”; Leah Siegel who performed “Oh Darling”; the underground industrial rock musician, Yuzima who covered “Hey Jude”; Craig Greenberg who together with Joy Askew performed a rockin’ version of “While My Guitar Gently Weeps”; and many more.

One might call this event a breath of fresh air, especially if the individual looks to get away from the confines of mosh-pit concerts or the house DJs in New York City’s most expensive clubs. The Beatles Complete on Ukulele allows Brooklynites to enjoy music among a crowd of respectable musicians and audience members. On this note, I will talk about some of the reasons why this event is attractive, as well as reasons for why some people might be turned away. 

A Wide Range of Listeners

The meeting of musicians of all ages and different musical backgrounds attracts a crowd of people that come from different walks of life and span across a wide age range. Some audience members might have formed a friendship with the musician from past shows, and have come to this event to lend their support and see a familiar friendly face on stage. Some might have just come from work, looking to have good and clean musical fun.

The majority of the audience absorbed the atmosphere and performance vibe just in front of the stage. The bar in the back of the performance space, just at the right of the coat check, was occupied by individuals that had planned social meetings with several of their closest friends and acquaintances, and purposely wanted to keep the music in the background. However; this is not to say the music didn’t reach them at all in the foreground of their conversations.

As I waited at the bar for a Brooklyn Lager and a long flat bread pizza, I listened to Craig Greenberg and Joy Askew play “While My Guitar Gently Weeps” and applauded them. A British man in a long black blazer and shades to my right joined me in my applause and remarked “This band definitely rehearsed!” I responded with a nod of agreement.

Everyone enjoys themselves and the music 

I watched Yuzima lead the crowd in a sing-along to Paul McCartney’s “Hey Jude” – a moment that lifted everybody’s spirit and created a sense of community in the audience. Earlier in the program, Leah Siegel sang her rendition of “Oh Darling,” in which she gracefully choreographed a physical performance that communicated beautiful anguish. This performance could only make some of the feel like Leah was specifically singing to them.

 Whichever artist came up to the stage, Roger was always in the foreground interacting with the main act. This makes audience members, especially those who are new to the Beatles Complete, naturally think that Roger is a part of all these groups. As for those who are returning for a second time to watch this line-up, they will also feel like Roger is a part of every musical act. Roger’s complete sense of comfort and joy in performing with each consecutive performer might attribute to this visual affect. Some might even begin to wonder how he finds the energy to stay on for the entire four hour program.

Ticket holders get their money’s worth   

I applaud the musicians for overcoming the distractions from the bowling area adjacent to the main stage. Every musician that night performed with Roger and The Angry Buddhist East Band like they were at an intimate venue. Attendees can rest assured that they will get their money’s worth at the Beatles Complete.

On this note, I should mention the ticket is only $10.00. However; if you are very pleased with what you hear and see, you will probably feel compelled to enjoy some food and drink. Now, here is where I believe concert attendees will run into a petty and annoying detail: Brooklyn Bowl is an expensive place.

Price for food and drink a little bit high

The drinks are all over $6.00 and customers can only use credit cards for a minimum of a $10.00 purchase. Although this might be great for attendees that crave food; a dish as simple as a Margherita flatbread pizza is at least $10.00. This and a drink come to $20.00 per individual, and this is only bar food! In addition, the kitchen closes at 11:00pm – something that audience members must research in advance.

Although I can come to understand the kitchen has to close at some time; the price for food and drink is still a little bit high. However; I do say the price is definitely worth the great experience at The Beatles Complete.

Avoid the “Gypsy Cab” after the show

I must also warn concert attendees that if they wish to take a cab home, they must vigilantly seek a yellow cab service as opposed to the white or black Lincoln Town Cars that are used in the highly popular and dodgy “gypsy cab” scheme. The outside of Brooklyn Bowl will be lined with both real taxi cabs and false ones.

See who is active on the NYC Music Scene

In conclusion the positives of The Beatles Complete on Ukulele at Brooklyn Bowl weigh out the negatives. The greatest strength about this performance includes Roger Greenawalt’s love for the Beatles, ukulele and collaboration with great artists on the independent music scene.

I am happy to share some very muffled-sounding videos from Wednesday night’s performance right here on my Youtube channel. I apologize for the poor sound recording quality but I hope readers form a good idea about the experience they might have if they’re interested in coming out to Brooklyn Bowl either for next year’s Beatles Complete led by Roger or other musical occasions. And then, of course, there is always the bowling.

Finally, for those real music lovers out there; The Beatles Complete is a great opportunity to see who is active on the independent music scene of New York City. Most of the artists that performed with Roger on stage that night are very likely to have something new – an album, a tour, or exciting musical project – taking place in the New Year.

So, to those that came out to the Beatles Complete last Wednesday night, I hope they enjoyed themselves and the musical experience. For those who did not, I encourage them to learn more about the musicians, including Roger Greenawalt, and make a trip to Brooklyn Bowl for next year’s performance.